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She might be single in her forties, but she’s got a good job, wonderful children and she’s happy.
After yet another disaster, Lorrie is calling time on online dating.
Warning of the dangers of taking men at face value and putting our morals into question at times,acts as a fun parable of the state of modern love and the thrill and perils of Internet dating and the Pavlovian response we’ve developed to the sound of a single ping dictating our every action.
Stay tuned for the end where there’s an interesting twist to the whole story, but come for the roller-coaster ride and titillation of meeting new people and an an all too relatable story of modern love.
Meet Jane (Heather Cooper), a typical office drone who’s living a pretty comfortable life.
There’s one thing missing though: she’s single and very much available, and she’s looking to change that.
Scenes involve mothers at the school gates discussing their overachieving children, the perils of internet dating, the trials of mountaineering, and a woman affably confronting a ghost.
That is, until she receives a very unexpected request from France. She might be single in her forties, but she’s got a good job, wonderful children and she’s happy.
This, Lorrie decides, is going to have to be enough. After yet another disaster, Lorrie is calling time on online dating.
But who’s got time for old fashioned dating when there’s so many things to do, so little time? Kate March’s addresses the dodgy world of Tinder and other dating apps/websites, and charts Jane’s based-on-a-true-story adventure through a series of Whatsapp conversations and accounts of the men in Jane’s life. Consisting just a few chairs and two couches, the set was dead simple, and created an intimate setting for the audience to really get to grips with the script and storytelling elements of the show.
As Jane narrated the details of the day, she whipped out a phone and begins to “text”, speaking the messages out loud and dramatizing the online conversations she’s been having.
Also significant was Ralion Alonso played a rich, entitled married man embarking on an affair, and delivered on the charming bastard type character.